Showing posts with label Exile. Show all posts
Showing posts with label Exile. Show all posts

Thursday, August 15, 2024

To'khon ar e'khon-তখন আর এখন

  
তখন আর এখন
 
ডাল-পাতা সব দুলছে ধীরে, 
মৃদু বাতাস বয়। 
নীল আকাশে মেঘ দেখি না, 
গ্রীষ্মকালের জয়। 
 
দূরের দেশে রয়েছি আমি, 
আধা-শতাব্দী ধ’রে। 
তাও যে আজও দেশের আকাশ
মনে ভাসে, ওরে! 
.
ঋতুর সাথে বেশের বদল, 
ভোরের, সাঁঝের রং,
কালবৈশাখীর ঝোড়ো হাওয়া, 
মায়ের শ্রীয়ের ঢং—
.
পর্বত-সমান মেঘের চূড়ায়, 
চোখ-ধাঁধানো ফাঁক। 
নীল-সাদা সেই গগন-ক্ষেতে 
চীলের চড়তি পাক। 
 
ছাতে চড়ে ঘুড়ি ওড়াই,
প্রতিদিকে আলো। 
গ্রীষ্মকালের কড়া রোদে
পুড়ে হলাম কালো।
 
বর্ষাকালে, মেঘের সেনা,
বাজের ভীষণ ডাক। 
যুদ্ধের শেষে, হাজিরা জানায় 
ঝড়ে-ভেজা কাক। 
 
আজ রয়েছি, সেসব ছেড়ে, 
প্রশান্ত-সাগর-তীরে। 
বিকেল বেলার রোদে, দোয়া:
শান্তি আসুক ফিরে।
 
বৃহস্পতিবার, ১৫ অগাস্ট, ২০২৪ খ্রি.
বার্ক্লি, কালিফোর্নিয়া







 

Sunday, October 28, 2018

Sritir Jore-স্মৃতির জোরে

 
স্মৃতির জোরে

দেশ ছেড়ে, এই দূর দেশে ভাই
করলাম আমি বাস।
বৃদ্ধকালে রোগের চোটে
ফুরিয়ে এল শ্বাস।

ভাবলাম, এবার যাবার সময়।
তাই তো দিনের শেষে
মনেমনে স্মৃতির খোঁজে
ফিরলাম আবার দেশে।

ব্যথার মাঝে, এল কাছে
ছোটবেলার ছবি।
পাশে এসে বসল আবার
আদি কালের কবি।

দেখতে পেলাম দেশের আকাশ,
দেশের মাটি, জল।
রক্তে তাতে জীবন এল,
পেলাম তাতে বল।

শুনতে পেলাম ভুলে যাওয়া
ছোটবেলার গান।
করলাম আবার মনেমনে
নদীর স্রোতে চান।

দেখলাম আবার, চোখের জলে,
চেনা মুখের হাসি।
গেছে যারা, বলল তারা,
'ফিরব। এবার আসি।'

কানে কানে এল কথা,
'রয়েছে কত কাজ।
জীবনটা তো কিছু দিনের।
ছেড়ো না গো আজ।‘

রোগের মাঝে পেলাম ওষুধ,
টোটকা, দেশের, তাই
স্মৃতির জোরে সুস্থ হয়ে
বাঁচলাম আমি, ভাই।

রবিবার, ২৮ অক্টোবর, ২০১৮ খ্রি 
ব্রুক্লিন, নিউইয়র্ক
   

Sunday, April 8, 2018

For Me and You


For Me and You

We humans weren’t ever meant to be
As lonely jackals, wary of the rest.
We need at times our solitude—and yet
We need some others too, to be our best.

In nature, there are solitary beasts.
The male orangutan may munch alone.
But lonely humans at their lunches ask—
What sin was it, for which they now atone?

We hurry to our schools or jobs and there
We meet with fellow humans—more than less,
And this may tire us or sustain us, so
Our lunches may be respites from the stress.

******

But when we are confined, at home or work,
And see and hear no others for a while—
That might be days or weeks or even months—
We might forget to laugh—or even smile.

And now—in exiles or in prisons or
In lonely houses or in sterile wards,
We humans wither, torn from those we loved,
Who now are distant—or forever gone.

We pine for scents and tastes and textures that
Are now but memories—fading, even lost.
The years go by—and then the decades too.
And this is progress—with its human cost.

******

And so we worry and we wonder how
We might fulfill our duties to the ones
From whom we parted. Mothers rise to speak
In daughters’ dreams—and fathers, in their sons’.

As sap is what sustains the cells of trees,
And flows, within us, keep our own alive,
And like the air and water—and the foods we eat,
So also is this join, on which we thrive.

We need to feel the earth and see the sky,
To hear the plants, the beasts—and humans too.
There is a vibrance that connects and heals—
And so I write this verse—for me and you.

******
 
And yet—we age and in our age despair
Of ever having strength to reach across
The oceans and the continents—for some
Have hardly strength to bear the local cross.

How often has an exile wished to be
Not one, but two or even more—so she
Could be in places far apart at once—
And realized that this could never be.

So all that we can do, it seems, is this—
To do as needed in the place we are,
For we are locals, like the nesting hens
That cannot wander, from their clutches, far.

******

We're blown apart by commerce and by war.
The wealth is drained from villages to towns
And thence to hubs of industry or where
The bankers rule and presidents are clowns.

In dreams, our bodies may be imaged, and
In waking, minds are often split in two—
And only half is present where we walk,
The other being where we’re needed too.

But let me dwell no more on sorrows here,
For surely you have had enough of those.
I can’t be near to you in body, but
Remember—that in spirit, I am close.

2018 April 5th Thu. & 7th Sat.
Brooklyn, New York
-----------------------------------------------------

"Does wisdom come with age?"
"It does with some of us, dear, but not with the humans.
Those beasts are very slow learners."
http://news.discovery.com/animals/videos/why-cant-chimps-speak-video-140919.htm



  

Friday, February 5, 2016

Exile-IV


Exile-IV

We can long for what’s no longer.
We can pine for loves we’ve lost.
We can wish we were with kinsfolk
Or friends we had when young.

We can love our native country.
We can miss its speech and song.
We can yearn, when we’re in exile,
To be back where we belong.

And then, upon returning,
And seeing a nephew smile,
Within our native city,
We might rejoice a while.

But then there are the conflicts
That even roil one’s clan.
And we learn of crime, corruption—
So we’re back where we began.

Yet we see that all is changing—
That nothing’s ever still.
For some, the change is better,
For more, it’s more of ill.

The fantasy that distance
And time created goes.
We’re in our native country
And it still is full of woes.

For those like us who left it
And never could return,
Such thoughts arise in dreaming
And then we wake and turn.

2016 February 5th, Fri, 6:51 am
Bensonhurst, Brooklyn, New York
----------------------------------------------
  
Related posts:
   
      

Saturday, January 23, 2016

Exile-III

 
ExileIII
  
I have tasted of your juices,
I have savored of your scents.
So your scents are in my nostrils,
And your tastes upon my tongue.

I have breathed in. Inhalation
Has carried you within me.
I have breathed out. Exhalation
Has given you my love.

It is said that we are mindful
Of the things that are at hand.
But with distance, there's a longing
That the lovers understand.
    
******
  
I have lusted for your textures,
I have yearned for all your sights.
I have dreamed of you in daytime,
I have tossed for you at nights.
  
Has my love been unrequited?
That only you can know.
I have felt your heartbeat quicken,
I have seen your motions slow.
     
Your were near and yet were distant.
You are far and yet are near.
And your absence is a presence
That is hard for me to bear.
       
When I left you for another,
Did you notice, did you cry?
Did you ask then for a reason?
Did you ever wonder why?
     
No, you didn't even notice,
For you'd hardly notice me,
Who was one of many millions
That by chance had come to be.
  
But you gave me life and fed me,
And I grew beneath your sky.
And I never really left you,
Though it seems that now I lie.
     
For you are my native country,
You're the land of all my dreams.
Though I seem to be so distant,
It isn't what it seems.
       
You are with me still in music.
I can hear you in my voice.
In my exile, you are in me.
So I dream, and I rejoice.
     
*******
      
As a tree, that is uprooted
And is planted in a soil
That is foreign, may not flourish,
So the worker and his toil.
    
As a mite upon your body,
As a mote upon your skin,
I was one you'd hardly notice,
But I've borne you in my soul.
       
As the years have stretched to many,
And the memories start to fade,
I can delve within and find you,
So I once again am whole.
     
2016 January 23rd, Sat.10:25 pm
Bensonhurst, Brooklyn, New York
--------------------------------------------
  
For a more rational view of this, see the short piece:  Exile--II  
http://thedailypoet.blogspot.com/2014/04/exile-ii.html
 
For a rather wistful, resigned reflection on this, see: Exile
http://thedailypoet.blogspot.com/2013/03/exile.html  

   

Saturday, December 26, 2015

In the Gray


In the Gray
  
In the gray that marks the winters
Of the coastal polar climes,
I’ve wandered on deserted streets
And mouthed my dismal rhymes.

In the silences of holidays,
I’ve passed by windows lit,
Conversing with my lonesome self,
With remnants left of wit.

And so it is with exiles
And so it is with those
Who’re born to die in prisons
Or live in those they chose.

We humans are a social lot—
And wounded loners need
Some company to soothe their souls,
So healing can proceed.
 
How many days and weeks and months
And even scores of years
We humans bear, removed from those
For whom we shed our tears?

In the gray that marks the winters
Of the lands towards the poles,
The migrants gain their living, while
They slowly lose their souls.

There is light and there is darkness.
There is evil, there is good.
And then—there is the grayness
That blurs what’s understood.
  
So we wander in our limbos
In the foggy shades of gray
And we wonder how it happened
That we lost, alas, our way.

“...and deliver us from evil.” 
In the school that I attended,
We would say this in the morning
And again when classes ended.

But we never said a prayer
That said, “Save us from the gray.”
In my dotage, still in exile,
I should say this every day.

2015 December 26th, Sat. 12:51 am
Bensonhurst, Brooklyn, New York 
  

Sunday, June 28, 2015

Aa~su Bahaanewaale—आँसू बहानेवाले—آنسو بهانےوالے —Those Who Shed Tears

 
This is in Hindustani (Hindi-Urdu), in the Devanagari and Urdu (modified Perso-Arabic) scripts.  In writing both of these versions, I was greatly aided by the script and translation facilities at http://google.com/translate.

A translation into English is at the end (just before the note on my Romanization).

I would welcome suggestions and corrections, especially in verb endings and in the possessives ka/ki/ke, but also in whatever else is noticed.  My Hindi is very weak, to put it mildly, and my Urdu is no better.  My apologies for venturing where I perhaps should not.

As for Romanization, I have included, first,  the machine output, also kindly provided by http://google.com/translate. The Roman transcription is between the Devanagari and Urdu pieces.

 The only (almost unavoidable) fault I found with Google's machine transcription was that it included the short "a" (without the bar on top that lengthens vowels) where it is no longer pronounced (or, in the case of  some loan words from Arabic and Farsi, never was).  This is the schwa vowel (as in standard British English "but" and "fur") that is so frequent in the languages of northern Europe, and in those of the subcontinent*.

I have edited the machine transcription to delete the unneeded short "a" letters. I have also changed "v" to "w" in some words.

Following this standard academic Romanization provided by Google (and lightly edited by me as explained above),  I have also included also my own Romanization, which follows a scheme similar to that which I have been using for Bengali.  (See the note added at the end of the post.)

* The schwa vowel is absent in standard Italian and Spanish, and also in the Indic languages of eastern India. In the latter, it has been replaced by one or the other of the two distinct rounded vowels (disregarding length and dipthongization) that are represented, in standard British English, by the Roman letter o.  
----------------------------------
 
आँसू बहानेवाले
 
अमरीका मे एक शहर की
सड़क पर चलते हुए,
मैं एक आदमी से मिला था,
जिनके साथ मेरी पहले
कुछ पह्चान थी।
 
मैंने उनसे पुछा,
"बहुत दिन के बाद मुलाक़ात हुई।
आप कहीं गये थे, क्या?"

उन्होने जवाब दिया,
"हाँ, मैं कुछ महीने के लिए
वहाँ लौटा था,
जहाँ अभी तक
हमारे लिए
आँसू बहानेवाले हैं।"
 
रविवार, २८ जून, 
ब्रुक्लिन, निउ यॉर्क
----------------------------------

Ām̐sū Bahānēwālē

Amrīkā mē ēk śahar kī
saṛak par caltē hu'ē,
maiṁ ēk ādmī sē milā thā,
jinkē sāth mērī pahalē
kuch pahcān thī.

Mainnē unsē puchā,
"Bahut din kē bād mulāqāt hu'ī.
Āp kahīṁ gayē thē, kyā?"

Unhōnē jawāb diyā,
"Hām̐, maiṁ kuch mahīnē kē li'ē
wahām̐ lauṭā thā,
jahām̐ abhī tak
hamārē li'ē
ām̐sū bahānēwālē haiṁ."

Ravivār, 28 Jūn, 
Bruklin, Ni'u Yŏrk 
----------------------------------

Aa~su Bahaanewale

Amriika me ek s'ahar ki
sar'ak par calte hu-e,
me`~ ek aadmi se mila tha,
jinke saath meri pehle
kuch pehcaan thi.

Me`~ne unse pucha,
"Bahut din ke baad mulaaqaat hui.
Aap kahii~ gaye the, kya?"

 Unhone jawaab diya,
"Haa~, me`~ kuch mahiine ke lie
waha~ lo`t'a tha,
jaha~ abhi tak
hamare lie
aa~su bahaane waale he`~.

Ravivaar/Itvaar, 28 Jun

Bruklin, Niu Yo`rk
----------------------------------

آنسو بهانےوالے

امریکہ میں ایک شہر کی
،سڑک پر چلتے ہوئے
،میں ایک آدمی سے ملا تھا
جن کے ساتھ میری پہلے
.کچھ پهچان تھی

،میں نے ان سے پوچھا
.بہت دن کے بعد ملاقات ہوئی"
"آپ کہیں گئے تھے، کیا؟ 

انہوں نے جواب دیا

جی ہاں، میں کچھ ماہ کے لئے"
،وہاں لوٹا تھا
جہاں ابھی تک
ہمارے لئے
".آنسو بهانےوالے ہیں
  
اتوار، ۲۸ جون
بركلن، نیویارک

----------------------------------
   
Those Who Shed Their Tears
   
While walking on the streets
of a city in the U.S.A.,
I met a person whom I’d known 
for quite a while.
   
I said, “I haven’t seen you for so long!
Were you out of town?”
  
“Yes.” he said, “For a few months,
I had returned to where
there still are those,
who shed their tears for us.”
  
Sunday, June 28th,
Brooklyn, New York
---------------------------------

Note on my Romanization for Hindi-Urdu

The letters for the consonants represent the sounds they most commonly do in English, except that c stands for the (unaspirated) ch cluster in English, and that t and d are dentals, pronounced while touching the tip of the tongue to the back of the front teeth, as in most of the Latin languages, while t,' and d' are circumflex, pronounced by curling the tongue up and and back and so that the back of the tongue-tip touches the roof of the mouth, in the region of the hard palate. Note the use of the apostrophe (') to indicate the circumflex form of a consonant.

A similar distinction holds for n and n', r and r', and s and s', except that the tongue's contact area for the first sound in each pair is more the (upper) gum ridge than the back of the front teeth.

The letter h is used to add aspiration (a puff of air) to a consonant, as in the second member of the pairs k, kh,   g, gh,   c, ch,   j, jh,   t, th,   d, dh,   t', t'h,   d', d'h  and   r', r'h.  

The vowels a, e, i, o, u are pronounced as in Italian and Spanish, except that a stands for the schwa vowel that is absent in those languages, while the long form, aa,  is pronounced as a long a would be in those tongues. The long forms of i and u are indicated by doubling: ii and uu.

The e and o have only one (phonemic) version, which, for those coming from languages that make a distinction, is usually closer to long than it is to short.

If a word ends in a long vowel, however, the length of the vowel is often shortened, especially in frequently occurring monosyllabic words, such as ka/ki/ke, which are used to indicate relations between words, and in common verb-endings.  So I have used the short forms a and i  instead of the long forms aa and ii in such cases. The terminal a, however, is not a shwa, but rather a clear short a.

Each vowel in a dipthong should be pronounced clearly. The dipthongs ai and au, however, seem to have been changing into ae and ao, and thence into the single open vowels e` and  o` (as in English tram and ball). So I have used e` ad o` for these.

The tilde (~) after a vowel indicates nasalization of the vowel.  In Hindu-Urdu, this nasalization is usually stronger than in standard Bengali.
   

Monday, May 25, 2015

I Do Not Know the Words

 
I Do Not Know the Words

As I was walking on the street, a whisper came to me.
It seemed an eerie whispering, and so I paused to hear.
And then I heard a voice that called, as if across a sea.
And though it sounded distant, yet I also sensed it near.
 
“They know the words,” that whisper said, “so all can sing the song.
They know them well.  And one may lead, while others sing along.
But then another takes the lead. You’re hearing what they feel.
They share in song—and everything—where no one needs to steal.”

I heard that voice that seemed to be so far, so distant, yet
Was also there within my heart, as close as it could get.
“I do not know the words.” I said, “I do not know the words.
Do tell me what the meaning is. To me, they sing like birds.”

For I had heard a singing then, behind that eerie voice,
That rose and fell in cadences, as if a hidden sea
Were breaking on a distant shore, from which a random breeze
Had carried sound across the miles and so by chance to me.

But though I heard that singing still, that voice had ceased to speak.
And so I strained to hear that song, which still was distant, weak.
And as I listened, I discerned the words—they still were strange,
But slowly, one by one, they came within my hearing’s range.

And to this day, I hear that song.  It pulses in my mind.
For me, it's still a wondrous thing.  A passing spirit, kind,
Had given me this gentle song—that whispers, like the sea
May do, when quite a distance from the place we chance to be.

“I do not know the words.” I’d said, “I do not know the words.”
But I could hear the feeling in the song.  That still remains.
And though I’d said it sounded like the singing of the birds,
It sings to me of hopes and loves—of all our joys and pains.

“They know the words,” that voice had said, “so all can sing along.”
And one by one I hear them sing—I hear them sing that song.
They share in this, and everything, where no one needs to steal.
And though I’ve never met them, I can hear the way they feel.

And still I daily walk the streets, within the city’s sphere.
And there are times I’m full of grief, of madness and of fear.
But then I hear that song again, and so my heart is lifted.
I thank the spirit then for this—this drop of kindness, gifted.

I wish I understood the words.  But then, it doesn't matter.
For there's a place for words and there's another place for song.
And so at times the words we speak appear as useless chatter.
For those are times to listenand perhaps to sing along.

2015 May 25th, Mon
“Memorial Day “ in the U.S.A.
Brooklyn, New York
     

Sunday, February 22, 2015

Heaven


Street of Gold
http://unconfirmedbreakingnews.com/wp-content/uploads/2013/03/streets-of-gold-heaven-mary-k-baxter-heavens-truth1.jpg


 

Heaven
At Heaven's Gates
https://rapturewatcher.files.wordpress.com/2013/11/pearly-gate-of-heaven.jpg
  
Heaven
   
“An ideal gated city” is advertised
with images appealing to the ones
who wouldn't want to mix with common folk –
as they might do in villages and towns
without the walls to keep such people out.

So if they seek the lifestyles that are shown,
with water-parks and air-conditioned gyms,
with shopping malls and tennis courts and more –
and also have the means, they’ll buy the dream
and enter then the gated paradise.
 
And where is this? Why, just a drive away
from anthills where the other humans live –
the same, who built that heaven here on Earth,
and surely might, by heaven’s dwellers, be
observed at duties heaven still will need.
 
2015 February 22nd, Sun, 2:10 am
Bath Avenue, Bensonhurst, Brooklyn

This was written after completing many hours of job-related work at the Skyway dhaba, an eatery that stays open all 24 hours.  Pakistani TV shows were playing on a big screen, enticing émigrés and the affluent  with advertisements for “Bahria Town, Karachi”  and other such places, along with those for soaps, cosmetics, paints and, of course, cell phones being used by glamorous Indian filmstars speaking English with attempts at snooty or suave British accents.

  

  
Bahria Town, Karachi
http://bahriatown.asia/wp-content/uploads/2014/02/1383803046_563958124_2-Bahria-town-karachi-registration-slips-Karachi.jpg



















Clicking on the image will yield an enlarged view.  Press the "escape" key or click on the white X at the top right of the black background to return to this post, if you wish to get back here from your viewing of  heaven.

The top two text-boxes in the image advertise high-rise towers in the old, public Karachi.  But the text in the bottom box is about one of the new, private Karachis being built for the select.  It promises not only "a completely gated community" with many luxuries but also "no load shedding"*.  Now who could secure that?  Surely, divinity is at work here.

"Load-shedding" is the term used in the subcontinent for a widespread practice there, in which electric-power utilities shut down electric power to parts of the local or national grid when the demand for power exceeds the supply capacities of these utilities.

As the demand for electricity has grown, with the supply unable to keep pace, this practice has become a common, daily occurrence.  Areas where more affluent and influential folk live may be spared the worst of this. Some private developments, such as the one whose ad is shown above, boast that they have their own large back-up generators. 

    

Sunday, February 8, 2015

Mulk Chor Kar Aaya Tha -- ملک چھوڑ کر آیا تھا -- मुल्क छोर कर आया था

  
This is a translation, into Urdu-Hindi, of:
  

I Left My Country

http://thedailypoet.blogspot.com/2015/02/i-left-my-country.html
   
which is itself a translation, from Bengali, of:

Dex Cher’e Elam-দেশ ছেড়ে এলাম

  
http://thedailypoet.blogspot.com/2015/02/dex-chere-elam.html
  
-----------------------------------------------------------------------------------------
Mulk Chor Kar Aaya Tha

Parhne ke liye, mae~ mulk chor kar yah vilaayat me~ aaya tha.
Soc raha hu~, kuch paese ikat't'he hone ke baad, ghar laut' jaunga.
T'han'd'e gali pe baet'ha, mae~ ab bhiik maang raha hu~,
ta ke, bewakuufi siikhkar, mae~ apne mulk ko waapas ja saku~.
Dekhie, saahab -- mae sardi se kaa~p raha hu~.
Khuda ke naam se,
jeb se do kuart'ar dijiega.

budhvaar, 4-tha farvari, 2015 iisvi
(urdu me tarjama, iidvaar, 8-vi farvari)
(hindi me anuvaad, ravivaar, 8-vi farvari)
bruklin, nyu yo`rk

  
-------------------------------------------------------------------------------------------
ملک چھوڑ کر آیا تھا
  
پڑھنے کے لئے، میں ملک چھوڑ کر یہ ولایت میں آیا تھا.
سوچ رہا ہوں، کچھ پیسا اکٹٹھے ہونے کے بعد ، میں گھر لوٹ جاؤنگا.
ٹھنڈی گلی پر بیٹھے، میں اب بھیک مانگ رہا ہوں،
تا کے، بیوکوفی  سیکھ کر، میں اپنے ملک کو واپس جا سکوں.
دیکھئے, صاحب, میں سردی سے کانپ رہا ہوں.
خدا کے نام سے ، دو کوارٹار دجیگا.
بدھ، ۴ فروری، ۲۰۱۵ ایسوی
(اردو میں ترجمہ،اتوار ۸ فروری)
بروک لین، نیویا
--------------------------------------------------------------------
  
मुल्क छोर कर आया था
पढ़ने के लिए, मैं मुल्क छोर कर यह विलायत में आया था।
सोच रहा हूँ, कुछ पैसे इकट्ठे होने से बाद, घर लौट जाऊंगा।
ठंडी गली में बैठा, मैं अभ भीक मांग रहा हूँ,
ता के, बेवकूफी सीखकर, मे अपने मुल्क को वापस जा सकूँ।
देखिए, साहब -- मैं सर्दी से काँप रहा हूँ।
भगवान के नाम से,
जेब से दो क्वार्टर दीजिएगा।

बुधवार, ४था  फ़रवरी, २०१५ ईस्वी
(उर्दू-हिंदी में अनुवाद, रविवार, ८ वि फ़रवरी)
ब्रुकलिन, न्यू यॉर्क

Friday, February 6, 2015

I Left My Country

 
I Left My Country
(translation of  Dex Cher’e Elam-দেশ ছেড়ে এলাম)
 
I left my country to educate myself.
If I could save some money, I’d go home.
I sit on the cold pavement and beg,
so I can return to my land, having learned
ignorance.
Can’t you see I’m shivering, sir?
How about a couple of quarters?

2015 February 4th, Wed.
(translated into English Feb. 6th, Fri.)
Brooklyn, New York

This is a translation, from Bengali, of:
http://thedailypoet.blogspot.com/2015/02/dex-chere-elam.html
 

Wednesday, February 4, 2015

Dex Chere Elam--দেশ ছেড়ে এলাম


দেশ ছেড়ে এলাম
  
দেশ ছেড়ে এলাম সেদিন, বিদেশে শিক্ষে নিতে৷
পয়সা জমলে পরে, ভাবছি ফিরব বাড়ি৷
ঠাণ্ডা ফুটপাতে বসে, বলছি ভিক্ষে দিতে,
যাতে মূর্খমি শিখে দেশে ফিরতে পারি৷
দেখছ ত সাহেব, বড় কাঁপছি শীতে৷
জেব থেকে দুটি কোযার্টার দেও তারাতারি৷
  
বুধবার, ৪ঠা ফেব্রুয়ারি, ২০১৫ খ্রি 
ব্রুক্লিন, নিউ যর্ক
----------------------------------------------------------------------

Dex Chere Elam
 
Dex chere elam xedin, bidexe xikkhe nite.
Po`exa jomle po`re, bhabchi phirbo bari.
T’hand’a phut’pate boxe, bolchi bhikke dite,
jate murkhomi xikhe dexe phirte pari.
Dekcho to xaheb, bo`r’o ka~pchi xite.
Jeb theke dut’i kuart’ar de`o tara-tari.

budhbar, 4-t’ha phebruari. 2014 khri
bruklin, niu io`rk

for a guide to the Romanization scheme used in this
transcription, please see the preface at the link:
http://thedailypoet.blogspot.com/2014/02/bharot-xadhin-indias-freedom.html
----------------------------------------------------------------------
For an imperfect translation of this into English, please see:

I Left My Country


http://thedailypoet.blogspot.com/2015/02/i-left-my-country.html
   

Sunday, January 11, 2015

ভূত–II (Bhut–II)

   
ভূত–II (Bhut–II) 
  
অনেক আশায়, এই বিদেশে
এসে, হলাম গবেট শেষে৷
বলল সাহেব, “ও অকেজো,
এমনি করে বাসন মেজো –  
বাইরে যেন চকচকায় –  
ঝিলিক যেন সোনার প্রায়৷”
বাধ্য হয়ে, মাজছি বাসন৷
তাও ত দেখ, পাচ্ছি শাসন৷
    
কায়দা করে, বেয়ে সিঁড়ি, 
উঠছে সাহেব৷ চাকরি-গিরি
করছি আমি, বেদম খেটে৷
খিস্তি-গালি জ্বলছে পেটে৷
বাসন মেজে মাহিনা পাই,
ফিসফিসিয়ে ভজন গাই৷
সকল আশা হল ছাই,
গুরুর দয়া চাইছি তাই৷
  
ওজন ভারী বইছি যত,
লাঠি-জুতো পাচ্ছি তত৷
করল আমায়, ধোপার গাধা৷
ওজন বয়ে, হলাম হাদা৷
ঘোড়ার মতন ছুটছি যত,
খাচ্ছি তবু চাবুক তত৷
ভূতের মতন খেটে – ধুত!
খিচরে গিয়ে, হলাম ভূত!
   
বিকেল ১:৩৫, রবিবার, ১১ই জানুয়ারি, ২০১৫ খ্রি
বেন্সন্হার্স্ট, ব্রুক্লিন, নিউ যর্ক  
   

Tuesday, April 15, 2014

Exile – II

  
Exile – II


There never was that golden age, of which we like to boast.
In ancient times, men suffered – and in childhood so do most.
  
But when we’re far from our native land – the place where we were born,
We then forget those miseries and pine for what we’ve lost.

And as we age in exile, pleasant memories return,
And we are children once again, beneath our native sun.

And those we left behind and those, who long have left this Earth,
Appear again, as we had known them in our land of birth.

But then, we wake from daydreams and we know the past is gone,
And so must deal with being far from where we once were born.

There never was that Eden past, for mankind or for us.
But when we age in exile, that's what then appears to us.

2014 April 15th, Tue. 4:35 pm.
Bensonhurst, Brooklyn, New York
 

Saturday, March 23, 2013

Exile

 
Exile

We left the lands that gave us birth
And chose to cross the seas.
And providence or choice decreed
The place, where we would cease.

And loneliness is now our lot,
But why should we complain?
We chose to leave our friends and kin.
What's left to then explain?

For many, work is all we have.
It keeps us occupied.
But often, it consumes our lives.
All else is nullified.

A few find satisfaction
In the work they do.
And others, seeking traction,
Find that's lacking too.

And when the working life's at end,
The vacuum then awaits.
No village there, nor neighborhood,
But walls that hold in place.

It's said, his home's a castle to
The Englishman – but then
It also is a prison, where
The Briton finds his end.

And so it is, in North and West –
And even, now, in East.
If misery loves company,
There's solace there, at least!

2013 March 23rd, Sat. evening
Brooklyn
   

Friday, March 23, 2012

Departure

 
Departure

She came at the end of the class and the day, and handed me the book I’d given her soon after the start of the term, almost seven months ago.

“But why?” I asked.

“I'm going to New Orleans.” she said—this quiet girl, who had worked these months without complaint—or even word.

Her voice was shaking and her eyes had tears.

“How long, Lan Fang,” I asked, “have you been here?”

“Two years.” she said.

Two years: a language, barely learned; a refuge, here at school, in this far land; a friend or two, perhaps—by chance or earned through effort; and progress—halting, slow—with books like the one that she now was dutifully returning.

How many nights were spent upon that book, deciphering the blur of foreign words?  How few— yet precious—her new friends and teachers...

And now, she would lose them, as she had lost the ones before.

How could I take that book?  Yet take it, I must.

I opened the book and saw another's name, whose visage floated up—a student gone and yet remembered, as a teacher does...

I shook my head and sighed.

 “Your parents too?” I asked.  She nodded yes.

“That’s good.” I said.  “I too will be with you.”

She stood quietly.

“Will you be here on Monday?”

 “No.” she said, and now more tears welled up.  Her voice was faint.

I searched and gave her tissues.  She took one, returned the other, bowed her head and left.

I strode towards the door and called, “Do write!  And let me know.  I will write, for you, a recommendation, when you’re needing one.”
 
She looked at me and slowly walked away.
 
Babui / Arjun
2012  March 23rd, Friday
(changed to prose form on 2015 Dec. 14th, Mon.)
Brooklyn
---------------------------------------------------------------
  
Please see also:  Departure-II
    

Tuesday, August 25, 2009

Amerindian

 
Amerindian

I met a man of darker hue, upon the rolling plains,
And this is what he said, before he blew away his brains.

"You see, upon that ridge-top there, I stood, while still a boy,
And saw my people camped below, and laughed out loud with joy.

"For I had trekked across the plains, a little runaway,
Who'd fled the farm where he had slaved and lived to see that day.
I then ran down to the tents below, and what did I then find?
The ones I loved had passed away -- but not from my young mind!

"For twenty years I wandered more, with those of the tribe still left,
Forever seeking for my kin, of family bereft.
And though the tribe did take me in, befriending one quite lost,
I never, ever smiled again, remembering slaughter's cost.

"And one by one (and often more) the others in that tribe,
Who still survived, fell down and died, from bullet or from bribe.
To alcohol they turned, as those, who settled on this land,
Dispensed of them, with guns and booze -- as now I understand.

"And so, in time, I too took up the gun and drank from the bottle,
And murdered both the dark and pale, in the blinding heat of battle.
Pursued by gunmen, I rode west, and found myself a job,
A farmhand, doing the work of a grunt, and shucking corn from cob.

"But every night, I dreamed of those, my parents, siblings, slain,
And those I'd killed myself and saw, still writhing in their pain.
And grief and anger welled in me, and I would toss and turn,
And in my private hell at night, in fire unending, burn.

"Six years I worked -- but then, one day, being kicked while still asleep,
I slew the one who'd woken me, from dreams both dark and deep.
And so the spiral that commenced, with murders of my kin,
Took one more turn, and added yet more death to the arc of sin.

I spent twelve years in jail, and then I managed to escape,
A runaway for one last time -- and not in youthful shape!
And here I've come, to the selfsame spot, where I had met, before,
The ones who then were still alive, but now are here no more.

"And I am glad that you were here, a stranger, yet a friend,
So I could tell you this, my tale, before it comes to end."

He grasped my arm, and then he turned and walked to that long crest,
And standing there, he shot himself -- and crumpled down to rest.

Babui / Arjun Janah
2009 August 25th, Tue.
Brooklyn, New York