Likhbe Xexe Je-লিখবে শেষে যে-The Writer at the End

There are five items in this post: 
  

• 1. the Bengali original (লিখবে শেষে যে), sparked by a Facebook post by Sanju Saha;
• 2. a Roman transcription (Likhabē Śēṣē Yē), via Google's site, http://translate.google.com, that follows the standard spelling in the Bengali script;
• 3. another Roman transcription (Likhbe Xexe Je), of the author's devising, that follows the standard Bengali pronunciation, rather than the standard spelling; 
• 4. a voice recording of the Bengali;
• 5. a translation into English (The Writer at the End).

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Item 1: Bengali Original
   
লিখবে শেষে যে

অনেক কিছু লেখার ছিল,
লেখা হল না৷
ভাবছি, কাকে বলব এখন,
বলার ছিল যা৷

ছিলে যখন পাশে, তখন
ব্যস্ত ছিলাম, তাই
লিখছি এখন, দিনের শেষে,
মনের কথা, ভাই৷ 

আসছে না, সেই বুকের ব্যাথা,
কাগজ কলমে৷
বসে আছি, তার-ই আশায়,
লিখবে শেষে যে৷
  
শুক্রবার, ৩রা মার্চ, ২০১৭ খ্রি
ব্রুক্লিন, নিউয়র্ক

https://www.facebook.com/sanju.saha.5/posts/1258502847518557
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Item 2:  The following is a Roman transcription made via http://translate.google.com.

Likhabē Śēṣē Yē

Anēka kichu lēkhāra chila,
lēkhā hala nā.
Bhābachi, kākē balaba ēkhana,
balāra chila yā.

Chilē yakhana pāśē, takhana
byasta chilāma, tā'i
likhachi ēkhana, dinēra śēṣē,
manēra kathā, bhā'i.

Āsachē nā, sē'i bukēra byāthā,
kāgaja kalamē.
Basē āchi, tāra-i āśāẏa,
likhabē śēṣē yē.

Śukrabāra, 3rā Mārca, 2017 Khri
Bruklina, Ni'uẏarka

https://www.facebook.com/sanju.saha.5/posts/1258502847518557
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Item 3: The following is a Romanization made using the transcription scheme outlined briefly at http://thedailypoet.blogspot.com/2014/02/bharot-xadhin-indias-freedom.html and even more briefly (but perhaps too compactly) below.
  

• x = sh, c = ch.
• t and d are dental (with the tongue tip touching the backs of the upper front teeth)—as in Latin languages.
• t' and d' are alveolar (tongue tip to upper gum ridge)—as in English.
• h is used as an aspirant (an addition of a puff of breath to a consonant, as at times done in English).
• All other consonants are roughly as in English, but without aspiration.
• All vowels, including those at the ends of words, are pronounced.
• All unmarked* vowels are as in Italian and Spanish, but mostly with intermediate length (duration).
• ~ nasalizes the preceding vowel, faintly.
• Stress (loudness) and elongation (extended duration) are usually placed on the first syllable of a word, but are slight, and there is no slurring of vowels in unstressed syllables.

* Marked Vowels

• o` is like the first vowel in British orange, being a rounded, open, back vowel, of intermediate length.
• e` is as in hat, being an unrounded, open, front vowel, of intermediate length.

Again, both of these vowels have intermediate length (duration). 
 
Likhbe Xexe Je

O`nek kichu lekhar chilo,
lekha holo na.
Bhabchi, kake bolbo e`khon,
bo`lar chilo ja.

Chile jo`khon paxe, to`khon
be`sto chilam, tai
likhchi e`khon, diner xexe,
moner ko`tha, bhai.

Axche na, xei buker be`tha,
kagoj ko`lome.
Boxe achi, tar-i axae,
likhbe xexe je.

Xukrobar, 3e Marc, 2017 Khri
Bruklin, Niu Io`rk

https://www.facebook.com/sanju.saha.5/posts/1258502847518557
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Item 4:  This is a voice recording of the Bengali. This might not work on cellphones. Please click on the rounded-triangle play button on the right of the composite icon below. In some browsers, you might have to click twice. Adjust the volume on your device as needed.


Record music and voice >>
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Item 5: The following is a translation into English.
  
The Writer at the End

There was much to write
that wasn’t written.
I think—to whom will I tell
the things I had to say?

When you were by me, I
was busy, and so
I now attempt to write
my thoughts, dear friend.

What is in my heart
does not come to my pen.
I am waiting for the one
who will write at the end.

Friday, 3rd March, 2017 AD
Brooklyn, New York

https://www.facebook.com/sanju.saha.5/posts/1258502847518557 
  

Why Think Ahead?

Why Think Ahead?
    
Now Sunday ends.  From mostly sleeping through it,
I find that nothing I had planned is done.
So I could stay up late and try to do it,
Or I could sleep.  Now which would be more fun?

If only I had made my life’s decisions
On this criterion, I might happier be.
But other things, like duty, diligence
Had interfered – as I can finally see.

And so, with insight, I will now retire
And try to sleep.  My lids are drooping low.
And if I can’t?  Well then, I’ll lie awake.
Why think ahead?  For soon enough, I’ll know.

If only I had lived my life this way,
Not thinking of the morrow, till tomorrow,
My life and that of others might have had
Some more of joy – and less, perhaps, of sorrow.
   
2014 January 20th, Mon., 12:56 am
Bensonhurst, Brooklyn, New York   
   

City and Village

City and Village
     
A city offers much that a village can't.
And yet, it is our villages that give,
To each of us, a soul and sustenance.
We try, within a city's multitude,
To make our little clans, our villages.
And some succeed in this – and others don't.

Some work to live – and others live to work.
And work may fill a life, or lives consume.
But work will have an end, as all things do,
And those, whose lives were work, are then marooned.

There's air and warmth – and water, food that we
Require to live.  But there are other things,
Without which lives are bleak and sad indeed.
For some, it's music, art.  Yet others feed
On varied stuff, not just of atoms made.
But each, except the hermit-saint, has need
At times, of other mortals' company.

The villagers depend on others there,
And so do townsfolk, though they this deny.
Their shelter, water, food and more derive
From others' labor, oft invisible
To those who live in cities modernized.

And they forget how they, of two, were born,
How many then had aided them to live
When they were babies – or were still at school
And learning what they'd later use to earn
Their livings or enjoy their present lives.

If we've had one or more who lived with us,
How hard it is for us, when they are gone
And never will return.  A dinner then
Is loneliness – relieved, perhaps, by a screen
That flickers as it shows how others live.

So some have cats and dogs that occupy
The spaces that a human might have filled.
And as we age, and strength and work contract,
So do our spheres, until we're left as one.

And so, we wish that we were villagers
Where climes are warm, and air and children pass
Through open doors, with crying, laughter heard
By elders as they sit outside or walk –
Or lie on floors at night, in starlit rooms,
In touch with earth, beneath the sky – and part
Of human lives.

Yet villagers – they envy city folk.
The young depart to find employment in
The cities, fabled for their wealth and sin.
And some return – or send their monthly dues
To those they left behind, remembering...

But others never do, in newfound lives
Engrossed or trapped, in struggles there enmeshed,
Forgetting who they were, and giving birth
To children who might never know the woes
And simple joys that their ancestors knew.

2013 November 2nd, Sat.
Bensonhurst, Brooklyn
  

A Woman, Young -- Part II

A Woman, Young -- Part II

A memory remains
of California sun
and that brief incident,
that crossing of the paths
between that woman and
myself --
the ones we were
that morning,
long ago.

Unaccustomed as I was, to women, young,
who'd follow me and offer me a ride --
and insist on it, a stranger though I was ---
I did not know then what to do
except to walk away ---
perhaps especially as she
was beautiful,
attractive and vivacious,
and, at least with me, that day,
flirtatious in a friendly sort of way,
with a sunny innocence that lit her eyes
and a smile that played, like sunshine, on her face.

I did not know then how I should react.
And so, I stumbled and I walked away.

It might have been for the best.

I wonder, still,
how it just might have been
if only I were not
the solemn one that I
felt bound to be
that sunlit day.

I wonder too, just who she was,
that woman, young,
whose form had been revealed to me,
in wondrous nudity,
in morning's light --
that woman who
had followed me --
perhaps because our eyes had met
and she had sensed, as I had done,
a history, unreachable --
a musk
without a name --
and perhaps
a destiny
that turned out
not to be...

I wonder who she was,
that woman, young,
whom I remembered suddenly
this evening, thirty years
and very far away --
I wonder who she was --
and is --
that woman, now perhaps
no longer young...

I did not ask her name,
nor offer mine,
and nor did she,
despite her friendliness...

I wish her well,
and I also wish that I could say,
"I'm sorry that I was
a dolt that day."

2013  October 31, Thu.
Brooklyn
  
A Woman, Young -- Part I 

http://thedailypoet.blogspot.com/2013/10/a-woman-young.html 
 

A Woman, Young -- Part I

      
A Woman, Young -- Part I
  
It was morning -- 10 o'clock or earlier.  I hadn't slept.
But I was young, and though I'd lectured for an hour or more,
I still had energy to spare.

I was walking out of the building where I'd lectured, when
I saw a woman, young, who stood where light was streaming in.
Her gauzy dress was billowing in the breeze,
and I could see her form, as if she wasn't wearing clothes
at all.

On exiting the building's door, I met that woman's gaze,
for just an instant.  Walking, then, across the sunlit yard,
I heard, behind me, footsteps, fast -- and found her by my side.

She greeted me.  I turned and answered, being just polite.
She was quite beautiful.  

A word or two of casual talk, and then -- she offered me
a ride.  I said, "I live nearby.  I usually just walk."

But she insisted.  So I sat, and as she drove, she asked,
"So what's your major?"  I answered, "Physics."
"Why do you have that book, then?" she inquired,
and gestured at the thing that sat upon my lap --
a book on mathematics, meant for freshmen
who weren't majoring in engineering, sciences
or math -- and needed a refresher course.

But we were at the buildings meant for faculty,
where I was rooming with a friend who taught.

"I'm saved!" I thought.  Some part of me
was just unwilling to acknowledge that
I now no longer could romance a girl
who might just be an undergrad, while I
had finished with my post-doc there at UCI,
and now had given my last lecture there in math,
and would be leaving soon for someplace far away.

I said, "We'll talk about that later, over coffee."

"But where -- and when?" she asked.

"I'm sure we'll meet each other once again.",
I said -- and saying this,
I waved and walked away.

I'd almost reached my building when I heard her car
-- and saw it curve and glide away.

I never saw that woman, young, again.

2013  October 31, Thu.
Brooklyn 
 

The Teacher

The Teacher

I came upon a person by the sea,
Of haggard aspect, battered down by time.
He slumped upon a bench with downcast head,
And though the sky and ocean were alight,
It seemed it was in darkness that he sat,
An abject figure, sunk in hopelessness.

I sat beside him, wondering at this.
Had death or separation caused this man
To slouch like this, alone by oceanside,
As breezes blew and all around him seemed
A picture drawn of paradise on earth,
With Nature in her garb of happiness?

So when at last he turned to glance at me,
With a look of desperation tinged with guilt,
I bravely ventured then to ask of him
The reason for his obvious sunken state.
And hearing this, he then began to speak,
With a voice that trembled in its earnestness.

“I am a teacher.  That is all I know.
For many years, I labored at my job.
And all, that's thrown at teachers, I withstood
And tried to teach, so students then could learn.
But towards the end, I burned, it seemed, in fire,
And all my nights were seized by craziness.

“The job, impossible for those who are
Disabled by the human tendency
To do their best, and do it honestly,
To care for those they teach, and what they teach,
I still had done, for many, many years,
And even drawn, from it, my sustenance.

“We teachers earn, as workers, salaries,
But that is all.  Whatever benefits
Our union got for us, that now erode,
Do not suffice for labor such as ours,
Which sucks, from each who labors, life itself,
And leaves behind a husk – and emptiness.

“And though some fall away, defeated, some
Persist, for reasons various, and each
Has self to feed – and family as well.
And some are able, by some magic art,
To distance selves from what they do each day,
And so survive, by gift of provenance.

“And others find, perhaps, a little niche,
In which they may find shelter for a while,
And even, if they're fortunate, a bit
Of satisfaction, as their students learn.
For that is what sustains the teachers true,
Who cannot feed at troughs of callousness.

“For teachers learn, who truly are sincere,
Beyond their payment, never to expect,
From those who run the show, the sordid game,
A word of praise  – or even from their wards,
Who still are young –  and unaware of all
The teacher does, in strength or weariness.

“But teaching, just like learning, is a joy,
And when the ground is fertile, even seeds
By sowers lightly cast, untended, grow
And then bear fruit, with more of seeds in turn.
But others fall on ground that's arid, hard,
And all our tending ends in fruitlessness.

“For teaching, learning need some shelter, space,
Some attitudes from those who teach and learn,
From those who run the schools, who make the laws.
For all our culture did not come from those
Who play at high finance or at their wars,
But those, who wove their threads in diligence.

“There came a time when I grew tired of stress,
Of all my labor past and present and
The prospect of yet more until my end.
And all my efforts seemed a waste of time,
So many hours and days and years misspent,
Amounting, at the end, to nothingness.

“And even then, like a horse that's trained to pull,
I strained at harness, though my load grew such
I only crawled.  But never, even then,
Did I succumb to any of the scams
That pass for teaching and are glorified,
Though none can pass the test of harmlessness.

“For we have students, who have but one life,
And parents, live or dead, who gave them this.
And every day they spend with us is less
From what they have, before they too are dead.
So can a conscience let one sleep, who then
Gives other than his due of diligence?

“Deprived of sleep, I felt that I was spent,
So all, that once had looked alluring, now
Appeared as dull.  And what was savory,
When I was rested, now had lost its taste.
And life itself, with all its promise and
Its pleasures seemed absurd and meaningless.

“The ones I'd loved, the ones who gave me life
Had passed away – and even as I worked.
Not only all my most productive years,
But even those for whom I deeply cared
I'd lost to this, the work that teachers do,
Impossible, in total earnestness.

“For teachers, as I said, to labor true,
Look not for praise, but need – the space to teach.
But even this, to them, is now denied,
And all the castigation of the world
Is heaped on those who labor most to teach,
And they are left with naught but hopelessness.

“And yet, I could not leave my job, because
On it depended life and family.
And teaching was the only thing I knew,
And from that thing, that all my life consumed,
I'd drawn my meaning, structured all the rest
Around that thing – that turned to shamelessness.”

He stopped. The blood, that seemed had drained away,
When first I saw him, pounded in a vein
Upon his temple – and his face was flushed.
He'd straightened, gestured, come to life, but now
Again, I saw, had started to collapse.
I took my leave, in sudden fecklessness.

But when, returning from my evening walk,
I passed that spot, I saw, in gloaming's light,
That selfsame man, that teacher, self-described,
Was sitting there, with eyes affixed on ground.
And seeing this, I hastened then my step,
And passed him by, in haste and wariness.

2013 September 17th, Tue.
Brooklyn
 
On Teaching 

http://subject-teacher.blogspot.com/2013/09/on-teaching.html 
 

Rites of Passage / Vespertinal

  
Rites of Passage / Vespertinal
  
The seven-horse chariot's done its daily beat; 
And over there, where sky and earth commune,
The evening star sheds limpid, icy fire 
Against a cyclorama amber-blue.
  
A breeze from west, gently insistent, blows 
Streamers of sand off crests of velvet dunes, 
Whispering reminder, prickly on the soul: 
The intimation of a threshold passed.

Through dim and misty distances in time
Loom memories of dreams that went unlived; 
Of songs unsung, of feelings unrevealed; 
Of deeds not done, of promises unkept; 

Of cheery smiles received and not returned; 
Of leaps of faith across uncharted streams 
Landing in quicksand, and being helped from there 
By waiting arms that never stayed for thanks.

And as the canvas is daubed more and more, 
The tints turn muddy, chiaroscuro fades 
To shades of grey, darkly illumined from 
The tunnel's end, a weary age away.

Threescore-and-ten was granted, half is spent. 
What rests is but a half-life of decay, 
Of keeping count of acts, noble and base, 
At every rite of passage on the way. 

Vivek  Khadpekar 
Osian, Thar Desert, Rajasthan
and Benares (Varanasi)
India, 1988/89 
 
By the same author:  Midnight

The Gallery of Ghosts

The Gallery of Ghosts

As we journey through our lives, we see
the ones, to whom we're bonded, pass away.
And so, in time, we each are left to walk
alone, within a gallery of ghosts.

And as we deal with loneliness and grief,
amidst the crowds – or trapped within our rooms,
we turn away from what the present brings,
reflecting on the ones, who now are past.

And some of us have duties still – to those
who're still alive, among the generations,
to animals or plants, vocations, self –
or jobs that keep us stressed, but occupied.

And some are thankful for those duties, which
return us to the present, even turn
us towards the future, rosy-hued or dark,
while others may resent intrusive tasks.

For some of us have given of ourselves
to those now passed, while they were still with us,
but others feel that they had fallen short
on duties then – and now must make amends.

And whether true or not, such matters are
decided by the self in solitude,
and as we walk within that gallery,
you'll see us then conversing, silently.

And surely, it's a shadow-play at best,
for how can we attend to those who're gone?
And yet, it seems they still can influence
the ones who live, remembering the dead.

2013 August 21st, Wed.
Bensonhurst, Brooklyn

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The Darkened Hall

The Darkened Hall

The curtain's fallen. The players all have left.
And yet I sit within the darkened hall,
The voices of the play still echoing...

And if I sit enough, perhaps I'll see
The curtain rise -- and see the play begin --
Another play, perhaps, and yet the same,
As I sit watching in the darkened hall...

2013 July 6th, Sat
Brooklyn
 

Eventide

Eventide

The day was quietly leaving – and the night was at the door.
It was raining, softly, softly, as the light was ebbing slow.
From the water in the gutters, the lights, reflected, shone,
As all across the city, those lights were turning on...

I was treading, slowly, softly, on my aging, sneakered feet,
And I'd hoisted my umbrella as I walked the city street –
For the rain was softly falling while the light was ebbing slow,
As the day was quietly leaving and the night was at the door...

I heard a neighbor talking as I passed her darkened house.
I could hear her quietly talking as I walked beside her house.
I could hear what she was saying, for my tread was soft and slow,
As the trees grew dark and looming as the night came in the door...

So the tide, it ebbs and rises – and the moon, it waxes, wanes.
And the city slows at evening as it's touched by gentle rains...
The night, it enters softly as the day has quietly left.
As the tide of light is turning, we remember those who've left...

The day, it had departed as I entered in my house.
And I waited, in the gloaming, for the coming of my spouse...
I would wait till it was midnight, then I'd call her on the 'phone,
As she left her ailing parent and she traveled home alone...

I wished that I could do as she had done so many years,
Remembering the ones I left behind while shedding tears...
But I waited there in silence and my cheeks and eyes were dry.
It was only for the living that I've ever had to cry...

2013 July 2nd, Tue.
(last two stanzas added July 3rd Wed.)
Brooklyn

Death

 
Death

The casket's sealed – and then is lowered down.
The homilies and prayers now are done.
The flowers wilt and then are thrown away.
So one plus one gave one – and equaled naught...

So some may weep and wail at funerals,
And others there may stand and quietly talk,
As others gossip, even laughing loud.
And some may sit in silence, lost in thought...

But as the days go by – and months and years,
The ones who smiled may then shed bitter tears.
And those, whom death had left disconsolate,
May find that they've been healed by balms of time.

And others, who sat silent or were terse,
Might now expound, in speech or prose or verse,
And though unreason seems to drive the world,
May find, in death, a reason – or a rhyme.

2013 June 26th, Wed.
Brooklyn
 

To My Father – II

To My Father – II

Will I write you a poem, now that you're gone?
Will I write you a poem, although it's too late?
Will I write for my father, who is ashes today?
Will I write for my father, who is taken by fate?

I will write you a poem, although you are gone,
I will write you a poem, for it's never too late.
I will write for my father, for the man that he was,
I will write for my father, for the man and his cause...

I will write for my father, who had traveled his land,
I will write for my father, for the skill in his hand,
I will write for my father, who had only one eye,
I will write for my father, for the light in that eye...

You are gone, oh my father, and yet you are here...
You are dead, oh my father, and my mother so dear...
You are gone, oh my parents, and you'll never return...
You are dead, oh my parents, and I saw you both burn...

I will go, oh my father, in my time, I will go.
I will go, oh my mother, and you never will know.
But I live, oh my father, and I'll live for awhile,
And I'll think of my parents and I'll weep and I'll smile.

I will think of my sister, who has gone on her way,
I will think of my sister, as I wake, every day.
I will think of my father, as I'm walking to work,
I will think of my mother, whenever I shirk...

You are gone, oh my parents, my sister and more...
You have walked through that exit, that portal, that door...
I will call you by name, but you never will know.
I will call you in silence, till I pass through that door...

Your were famous, my father, and your fame may persist,
But the labors you offered, I hardly can list.
You were famous, my father, if for only a while,
But you were also my father, who had made a boy smile...

You are gone, oh my mother, who was precious to all,
And the horrors you suffered, we still can recall...
You are gone, oh my mother, and we saw you depart.
You are gone, oh my mother, with the love in your heart...

You are gone, oh my sister, and your nurse, whom you loved,
You are gone, oh my sister, and so many beloved...
For we come and we go and we meet and we part,
And we each try to do, what we're asked by our hearts...

I will write you a poem, oh my father, I said,
But I wrote only this, that I'm writing, instead.
Be at peace, oh my parents, my sister and all...
Like the waves in the ocean, we rise and we fall...

Like the waves in the ocean, we are one and the same.
And yet we have quarrels, and we try to put blame...
You rose from the ocean, the ones that I loved...
You rest in that ocean, and you still are beloved.

I have written a poem that you never will see...
I have written a poem, and I'll let it now be...
What use is a poem, now that you're dead?
I write it for others, who are living, instead...

2013 June 24th, Mon.
Brooklyn
 
dedicated to the memory of:

Sunil Janah,
1918, April 17th – 2012, June 21st

Sobha Janah (born Sobha Dutt),
1929, April 18th – 2012, May 18th,

Monua Janah,
1959, August 16th – 2004 January 18th

and all the others, beloved, now departed...

The Leaf

The Leaf

There are some things we do that we regret –
And sadly lack the power to reverse.
But then, perhaps, we learn a lesson and
May even scribe, in penitence, a verse...

While walking underneath a spreading tree,
I paused to reach and pluck a nubile leaf,
So I could hold it close, to better see,
With 'glasses off to aid my aging eyes.

How delicate the veins within that leaf,
How freely flowing, yet how orderly...
How waxed and green, the side that faced the sun,
How diffident and pale, the side beneath...

******
 
A “heart-shaped” leaf this was, with mid-rib strong –
And veins like branches angling left and right.
A pointed tip and scalloped edge it had,
This little leaf that was my universe...

If I had crushed that leaf, I would have known
The scent released as life departed it,
With all the wonders of its chemistry
Reduced to that, which simian nostrils sensed.

But I desisted, having just before
Committed torture on a feathered sprig
Of evergreen that I had plucked and crushed,
Inhaling odors redolent of pines.

******
 
How far advanced from us, in many ways,
Are plants – along the roads we did not take...
We've more in common with the slugs and mites
And those that crawl until they spin and fly.

How much contrition, for my acts, I felt!
And yet, I'd lunched on animals and plants...
So life, that's grown to feed on life, may yet
Be awed at seeing wondrous mirrored self...

Should I discard that leaf – or let it dry,
While pressed within an aging book of mine,
Itself from limbs of plants composed – and hope
That someone sees – and feels what I have felt?

******
 
I beg forgiveness from you, little leaf.
I know your sisters will bud forth, in spring,
When I've departed.  You're the sacrifice
This beast has taken, for his little while.

But as you wither, starved of water, sun,
Can you forgive the one who rudely plucked?
If you could find philosophy, you'd think,
“At least I touched his heart and sensed him smile.”

I shall not 'prison you within a book.
I'll leave you be to die, while breathing free.
So also, when my time has come to leave,
I hope I'm left, so I can cease to be.

2013 May 25th, Sat.
Brooklyn 
sjanah@aol.com 
   

And Where Are You?

And Where Are You?
                                                              
I saw you once in winter and you just walked away.
I met you in the springtime but you were with another.
You passed by me in summer and then I heard you say,
"When the leaves come down in autumn, I'll go to meet my brother."

The autumn leaves have fallen and winter winds blow cold.
"And where are you, my sister?" I ask the drifting snow.
The seasons, they are passing, and I am growing old.
And all that I had understood, I now no longer know.

*******

I thought I saw my uncle and then I slipped and fell.
My body took a beating, my spirit did as well.
And in a dream my father reached out to me his hand
But I was busy talking and did not understand.

The one who nursed my sister and cared for me beside,
I looked for her the other day, across the ocean wide.
The sun was slowly sinking and birds flew through the air.
And in the waves came drifting my mother's waving hair.

Babui / Arjun
2011 April 9th, Sat.
Brooklyn
 
In Memoriam
Monua Janah 
1959-2004