Showing posts with label Pleasure. Show all posts
Showing posts with label Pleasure. Show all posts

Wednesday, October 26, 2022

No Matter

 
No Matter
 
There’s rarely justice in this life on Earth.
The Buddha said, “We suffer, right from birth.”
So every pleasure leads in time to pain—
And every joy to sorrow, once again.
 
So those with conscience left may speak and then
Be punished. So it's been, with the best of men
And women. Caring, labor rarely win
Their just rewards. The world is mired in sin.
 
And neither is there a hell or a heaven, friend,
That waits for us. When life is at its end,
Oblivion is—and there the matter stands,
As far as this one kens and understands.
 
******
 
No matter! We are born—to laugh and cry,
And then in time to age and then to die,
At times before our times, so some may weep—
And realize that life is not to keep.
 
No matter! Precious still, this little time!
And so, I'd end my little nonsense rhyme—
But wait! I'll slow—and sip of life a while
And raise my glass to end it with a smile.
 
To every friend or foe who's crossed my way,
I raise a toast and from my heart I say,
“I wish you joy—and though there might be woe,
You'll bend and mend, and smile and let it go.”
 
2022 October 26th, Wed.
Brooklyn, New York
 

Friday, April 14, 2017

Light and Shade


Light and Shade 

https://www.facebook.com/wendell.pye/posts/1736121643081412

What can I add, except to say
We greet the dawn that starts the day,
But then, when sunset comes, we sigh,
For night, and all it means, is nigh.

We sigh in pleasure as in pain.
We grimace and we laugh again.
So sorrow too is part of life.
If joy's the husband, she's the wife.

And now before you tire of this,
I should retire and wish you bliss.
We suffer pain and wish we'd die,
And moan and ask for reasons why.

What reason can we find, my friend?
We suffer till the very end.
So let's embrace the joy and sorrow.
We live today and die tomorrow.

******
 
Pleasure, pain, we live and find,
Like yang and yin, are intertwined.
From light and shade, we find our depth—
From joy and sorrow, life and death.

To wooden crosses, three were nailed.
Such cruelties had long prevailed.
But one of those had brought us sight,
Or so we hope, who seek for light.

But then, behold how darkness spread,
And evil was, with cunning, wed.
And still their offspring brings us woe.
So who is friend and who is foe?

I wish I knew the answers, but
I am myself within a rut.
And so I now should go to sleep,
And hope it will be long and deep.

2017 April 14th, Thu, 3:08 am
Brooklyn, New York 
   

Monday, April 7, 2014

Of All the Pleasures

  
Of All the Pleasures
    
How pleasant is the bliss of sleep
To those deprived of rest –
Of all the pleasures of this Earth,
Perhaps the very best.

Like rain upon a land that’s parched,
Like grace to those tormented,
So is that blessing sweet that comes
When sleeplessness is ended.

2014 April 7th, Monday, 4:45 pm
Teachers’ Cafeteria, Basement,
New Utrecht High School
Bensonhurst, Brooklyn
  

Friday, February 28, 2014

This Winter of Pain

    
This Winter of Pain
   
There is dark in this winter, and it robs me of sight,
For the skies have been drained of their color and light.
There is pain in this winter, and it robs me of peace,
For my rest, it is troubled, and my work does not cease.

What happens, in winter, to the sap of the tree,
Has happened, perhaps, to that spirit in me
That whispered those verses that I would then write,
In springtime and summer and fall, with delight.

Like the leaves of the trees when the winter has come,
The lines that I wrote in the past have become.
They have withered and faded and fallen away.
The winds of December took remnants of May.

******
 
If I last through the winter and I witness the spring,
To the muses of diction, my notebook, I’ll bring.
If I then am admitted to pleasures, I’ll write,
As the wardens of winter are fading from sight.

Then the sap will be flowing again in the tree,
From its exile returning – from its prison, set free.
And the lines that I write will be fluid again,
As I’m freed of this winter, this winter of pain.

Then the leaflets and petals will open to light,
And the birds, in the morning, will chirp in delight.
Then the spirit will whisper to me in my dreams,
And I shall write stanzas with iambs in reams.

******
 
But that season, so fruitful, is imagined at best,
And my reason insists that these fancies, I test
With a touchstone of winter – an icicle clear –
That tells me – that season I crave is not near.

My muses have vanished, and I’m left with the snow.
My sight, it has faded, and I’ve nowhere to go.
In the grayness of winter, in this season of cold,
In the pain and the darkness, I am weary and old.

And if I am pitied, then what of the one
Who sits on the street, where the winter is fun –
Or even of her, who has shelter in walls,
But no heat for the winter – as the poorer befalls?

******

But if I should come to the ending with this,
I might rob you, myself, of your remnant of bliss.
So I’ll end this – not that way – but instead with a poke:
My moaning for self – it was mostly a joke!

For who but a child, who’s been spoiled by its mother,
Would cry out in furor, creating a bother,
When its mother had left it alone, for a minute?
So know, though I’m bawling, there’s little that’s in it.

For I’ll live through this winter, harsh though it is –
And in snow that is sullied, find crystals of bliss.
And even in winter, in the pain and the dark,
I shall call like the mythical bulbul and lark.                \1

******
 
To the reader, dear reader, whose patience I test: –
I wish for you – pleasure that is truly the best,
The pleasure that has in it essence of joy –
The thrill that the muses of diction enjoy.

For the muses find pleasure, where others find pain.
And this is what poets and women explain...
But the poets, they prattle, while the women are still.
For the women are sane, while the poets are ill.

But if, as may happen, a poet’s a dame,
Then all that I’ve written will appear to be lame.
And further on this, in the cold and the snow,
Would weary the reader – so I’ll bow and I’ll go.

2014 February 28th, Fri.
Bensonhurst, Brooklyn
 

   
1.  Although the bulbul and the lark are real families of songbirds, their symbolic uses in Persian and English poetry, respectively, may perhaps justify the reference to their poetic incarnations as "mythical" – at least for those of us who have never seen or heard the real birds in their natural habitats.  

Some other word, such as "acclaimed" or "legendary", might have been more appropriate, but I could not find one to fit the meter.  (For those interested in such things, the beat used here is tetrameter in the anapaest -- although some of the lines begin with an iamb.)
   
The birds referred to as bulbuls in English are found over much of Asia and  northern Africa.  However, in Arabic and so also in its borrowers, such as Farsi (Persian) and Urdu, the word bulbul is used for what, in English, would be the nightingale.  
  
The larks are spread over Europe, Asia and proximal parts of Australia (with one species in North America).  
 
All of the birds mentioned so far are passerines, thus being members of the largest order of birds.  This order includes many of the aves that even city-dwellers know by sight and sound, including the common ground sparrow.
                          
-------------------------------------------------------------------------------------
   
I would like to thank the reader for her/his patience in reading so far.  For making the footnote possible, I would also like to thank the anonymous ones who labor, unpaid, on Wikipedia articles.  
  
While I'm at it, let me express my gratitude to the parents, teachers and others, often equally bereft of acknowledgement, who spend long hours, over many years, on thankless duties that sustain so many of us, even in the harshest of seasons.  -- Arjun / Babui
 

Thursday, February 6, 2014

Cud


Cud

A woman, in her passion, cries
Out not for god or lover –
For though she mouths the names of both,
They only serve as cover.

The patient, in his agony,
He moans – but not for others.
His groaning is his comfort, bare.
So pain and lust are brothers.

And when a poet recreates,
On paper, hurt or passion,
His inner space, he ventilates
By channels of tradition.

******

For every poet sane, you’ll find
A dozen more, demented.
To sanity, I lost my claim
And never have regained it.

So do not search, within my verse,
For reason past the rhyme –
For madness is this inmate’s curse
And so he does his time.

And though a writer may have hope
His work will find some favor
In those who read him when he’s gone,
For now alone, I labor.

******
  
This poem that I’m writing is
A cloud that’s floating by.
I’ll watch it till I lose it in
The ever-changing sky.

The stanzas that I write are like
The leaves upon a tree.
They flutter in the breeze and then
They wither, falling free.
 
The verses that I scribble are
As waves upon the sea.
They’re born – and undulate a while –
And then they cease to be.

******  

I taste the grass of verity
And chew it like a cow.
Some write for a posterity,
I savor here and now.

So some of what I’ve written is
The sound of satisfaction –
The feel and scent and taste of grass –
In bovine stupefaction.

But when the cow has lost her calf,
She calls for it, in pain.
We hear her lowing in the dark
And know – it is in vain.

******
  
When tempests come, they bend the trees
And make the branches cry.
And in the midst of wars, you hear
A grieving mother’s sigh.

So some of what I’ve written is,
In essence, just a wail.
You’ll hear it rise and ululate –
And lose it in the gale.

For every leaf that withers, there’s
Another, in the bud.
For every poet, gone his way,
Another, chewing cud.

2014 February 6th, Thu
Bensonhurst, Brooklyn
 

Sunday, September 22, 2013

The Price of Sin


The Price of Sin

A fish was swimming in the sea.
It now becomes a part of me.
Its spirit long has left its flesh,
For spirit-nature tends to flee
A carcass, while it still is fresh,
So souls are of encumbrance free.

******
 
Or so, at least, I would presume,
As others mostly do assume,
So all can look at dinners, lunches,
And guiltlessly, those meals, consume,
As well as breakfasts, teas and brunches.

And turning, therefore, to my fish,
Which looks to be a tasty dish,
I see it's sautéed well.  I smell
Its fragrance and I fondly wish
Its taste and flavor will be swell.

I pick the muscle from the spine.
I taste the flesh.  It tastes divine.
It's sad this being had to die
To make, for me, a luncheon fine.
I eat the fish – and do not cry.

But still, a nagging thought remains,
That nags and nags, as certain pains
May do, that we may wish were not,
But still persist, till each obtains
Attention due, that we forgot.

I wonder if, with tables turned,
By fishy chef, I would be burned –
Have salt and spice on scalded skin,
So I, who's dining, unconcerned,
Would fully pay the price of sin.

******
 
And this, I can't but wonder too:
Are our assumptions really true?
Does the spirit truly leave
(As hermit-crabs, their shelters do),
As many smugly may believe,
Until they die – and dinners rue?

2013 September 21, Sat. afternoon,
between Chinatown, Manhattan,
and Bensonhurst, Brooklyn,

on the N and D trains, on
the way home from the
doctor's office in C-t.

  

Friday, July 19, 2013

By the River

    
By the River
    
By the river's side, we met,
By the currents flowing.
We did not know, from where we came
Or where we would be going.

I still remember well the day
Our meetings there had started.
And I remember too the night
That we, in sorrow, parted...

How cool, the shade of leafy trees
On sun-kissed afternoons...
How wonderful, those nights we lay
Beneath the shining moon...

To every life, there comes a time
When darkness turns to light.
And so it was, that interlude
Of your and my delight...

We looked upon the waters then,
Reflecting moon and sun,
And on the dancing waves, we saw
The threads of being run...

We looked across the river and
We saw the other side.
We wondered if we'd ever cross
That river, flowing wide...

How many dreams we entertained,
How many thoughts we shared,
How many little things to show
That each, for other, cared...

How pleasantly those nights had passed,
Those days of dreaming then...
How sad it is, to think that we
May never meet again...

Oh how I long to see again
That river wide – and you,
To walk where river breezes blow
And kinship old renew...

The strands that intertwine and part,
In time are joined anew,
But memory is lost with death,
And so are I and you.

By the river's side, we'll meet,
By the waters flowing.
We will not know, from where we came
Or where we'll next be going...

2013 July 19th, Fri.
By New York Bay,
Bensonhurst, Brooklyn
(added later: 4th stanza)

  
Note:  The following three stanzas were also added later, to follow before the last.  But they were subsequently excised and moved below.  They are kept there for those seeking some attempted explanation for that last stanza.

   
The river is the same and yet
Its waters, never old.
So we will pass away and yet
Our tale will be retold.

The river is the same and yet
The waters, ever new.
To others we will yield, who are
The newer I and you.

For even waters seeming new
Are from that mother risen,
To which they all at end will flow –
The deep and ancient ocean...

  
Also, a disclaimer:  This, like any other such from my pen or keyboard, is a romantic fantasy, no more...;-)
  

Monday, July 8, 2013

Her Secret Vice

  
Her Secret Vice
  
“What's your hobby?” asked her friend.
“You heard me. Speak, and don't pretend.
I told you mine was postage stamps,
A pastime I acquired from gramps.
But you have never told me. Speak.
I've asked you several times this week.”

She could not speak, for quite a while.
But then, she tried to force a smile.
“Your game is up.” She told herself.
“It can't be kept to just yourself,
This thing you do, your secret shame.
Perhaps she'll understand, not blame.”

And thinking of her secret pleasure,
She found her courage, in some measure.
She'd bowed her head – and looking low,
Had studied well, companion's toe.
But now she tried to meet her eye.
“It's mathematics, on the sly.”

She'd murmured, what she could not shout.
At last!  Her secret now was out.
But searching in the hearer's face,
She saw the worst – a maid's disgrace.
And flustered, she looked down again,
While feeling, in her heart, that pain...

She'd hoped her friend could take, what men
Could not divine – or ever ken.
And so, she'd spilled her secret vice.
But see, her friend had turned to ice.
She saw her look of shock and horror,
And so was filled with sudden terror.

She wondered if she might be blamed
For feeling frightened and ashamed.
She wondered how to fix, what she
Had done – or how and where to flee.
She even wondered, if her life
She now should end, with pill or knife...

“But no,” she thought, “that's foolishness!
Let others think their nastiness.
For if my hobby gives me joy,
Why should I not, this gift, enjoy?
Was I not made by the Creator
To be, like Her, a calculator?”

And saying this, to soothe her pain,
She thought of pleasures past again.
The calculus was exquisite
For those, with skills prerequisite.
But even novices find joys
In playing with their basic toys...

And for the ones, who're more advanced
And have, in rings, with tensors danced,
Or played with algebras of Lie,
They know, what glory this can be.
What joys compare, upon this Earth,
With proofs – or giving theorems birth?

And so, with bashful, downcast eye,
She took her pleasures on the sly,
Remembering her sessions past,
In fields, with groups, that seemed to last
Beyond what humans could endure
And yet emerge, in essence, pure...

But glancing at her shell-shocked friend,
She knew her respite had to end.
But how, alas, she could explain
What she had done, escaping pain,
She did not know. But should she try,
Or wait till other asked her, “Why?”

2013 July 8th, Sun.
Brooklyn